front cover of When Time Shall Be No More
When Time Shall Be No More
Prophecy Belief in Modern American Culture
Paul Boyer
Harvard University Press, 1992

Millions of Americans take the Bible at its word and turn to like-minded local ministers and TV preachers, periodicals and paperbacks for help in finding their place in God’s prophetic plan for mankind. And yet, influential as this phenomenon is in the worldview of so many, the belief in biblical prophecy remains a popular mystery, largely unstudied and little understood. When Time Shall Be No More offers for the first time an in-depth look at the subtle, pervasive ways in which prophecy belief shapes contemporary American thought and culture.

Belief in prophecy dates back to antiquity, and there Paul Boyer begins, seeking out the origins of this particular brand of faith in early Jewish and Christian apocalyptic writings, then tracing its development over time. Against this broad historical overview, the effect of prophecy belief on the events and themes of recent decades emerges in clear and striking detail. Nuclear war, the Soviet Union, Israel and the Middle East, the destiny of the United States, the rise of a computerized global economic order—Boyer shows how impressive feats of exegesis have incorporated all of these in the popular imagination in terms of the Bible’s apocalyptic works. Reflecting finally on the tenacity of prophecy belief in our supposedly secular age, Boyer considers the direction such popular conviction might take—and the forms it might assume—in the post–Cold War era.

The product of a four-year immersion in the literature and culture of prophecy belief, When Time Shall Be No More serves as a pathbreaking guide to this vast terra incognita of contemporary American popular thought—a thorough and thoroughly fascinating index to its sources, its implications, and its enduring appeal.

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front cover of Women, Art and Observant Franciscan Piety
Women, Art and Observant Franciscan Piety
Caterina Vigri and the Poor Clares in Early Modern Ferrara
Kathleen Giles Arthur
Amsterdam University Press, 2018
Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat.Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.
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Worlds of Wonder, Days of Judgment
Popular Religious Belief in Early New England
David D. Hall
Harvard University Press, 1990
This book tells an extraordinary story of the people of early New England and their spiritual lives. It is about ordinary people—farmers, housewives, artisans, merchants, sailors, aspiring scholars—struggling to make sense of their time and place on earth. David Hall describes a world of religious consensus and resistance: a variety of conflicting beliefs and believers ranging from the committed core to outright dissenters. He reveals for the first time the many-layered complexity of colonial religious life, and the importance within it of traditions derived from those of the Old World. We see a religion of the laity that was to merge with the tide of democratic nationalism in the nineteenth century, and that remains with us today as the essence of Protestant America.
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The Worship of Confucius in Japan
James McMullen
Harvard University Press, 2019

How has Confucius, quintessentially and symbolically Chinese, been received throughout Japanese history? The Worship of Confucius in Japan provides the first overview of the richly documented and colorful Japanese version of the East Asian ritual to venerate Confucius, known in Japan as the sekiten. The original Chinese political liturgy embodied assumptions about sociopolitical order different from those of Japan. Over more than thirteen centuries, Japanese in power expressed a persistently ambivalent response to the ritual’s challenges and often tended to interpret the ceremony in cultural rather than political terms.

Like many rituals, the sekiten self-referentially reinterpreted earlier versions of itself. James McMullen adopts a diachronic and comparative perspective. Focusing on the relationship of the ritual to political authority in the premodern period, McMullen sheds fresh light on Sino-Japanese cultural relations and on the distinctive political, cultural, and social history of Confucianism in Japan. Successive sections of The Worship of Confucius in Japan trace the vicissitudes of the ceremony through two major cycles of adoption, modification, and decline, first in ancient and medieval Japan, then in the late feudal period culminating in its rejection at the Meiji Restoration. An epilogue sketches the history of the ceremony in the altered conditions of post-Restoration Japan and up to the present.

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Worshipping Athena
Panathenaia And Parthenon
Edited by Jenifer Neils
University of Wisconsin Press, 1996
The foremost religious festival of ancient Athens—the city dedicated to Athena, goddess of war, fertility, arts, and wisdom—was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon.
    Editor Jenifer Neils and the contributors—eminent classicists, archaeologists, and art historians—explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia’s mythical origins, the phenomenon of the festival’s valuable prizes (oil-filled amphoras, rather than the customary laurel wreath), and the architecture, sculpture, and painting related to the festival.
    Worshipping Athena will provide valuable insights to scholars and students concerned with ancient religion, mythology, art, literature, and gender issues, as well as anyone with a keen interest in the ritual topography of the Athenian Acropolis and the iconography of the Parthenon frieze.
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Writing Faith
Text, Sign, and History in the Miracles of Sainte Foy
Kathleen Ashley and Pamela Sheingorn
University of Chicago Press, 1999
A trickster saint whose miracles reportedly included the healing of an inguinal hernia via a hammer and anvil, Sainte Foy inspired one of the most important collections of miracle stories of the central middle ages. Kathleen Ashley and Pamela Sheingorn explore the act of "writing faith" as performed both by the authors of these stories and by the scholars who have used them as sources for the study of medieval religion and society.

As Ashley and Sheingorn show, differing agendas shaped the miracle stories over time. The first author, Bernard of Angers, used his narratives to critique popular religion and to establish his own literary reputation, while the monks who continued the collection tried to enhance their monastery's prestige. Because these stories were rhetorical constructions, Ashley and Sheingorn argue, we cannot use them directly as sources of historical data. Instead, they demonstrate how analyzing representations common to groups of miracle stories—such as negative portrayals of Muslims on the eve of the Crusades—can reveal the traces of history.

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Writings on the Sisters of San Luca and Their Miraculous Madonna
Diodata Malvasia
Iter Press, 2015

The Bolognese nun Diodata Malvasia was presumed to have authored only one work, The Arrival and the Miraculous Workings of the Glorious Image of the Virgin (1617). In her recently discovered second manuscript chronicle, A Brief Discourse on What Occurred to the Most Reverend Sisters of the Joined Convents of San Mattia and San Luca (1575), her writing demonstrates active resistance to Tridentine convent reform. Together, Malvasia’s works read as the bookends to a lifelong crusade on behalf of her convent.

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